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Otherwise I suppose Im usually saying something like Get off my lawn!
We may be shooting for different reasons, but we are, by doing so, documenting the times we live.
This is a noprotest League, Umpire decisions will be final.
By definition, you typically only get one chance to capture a moment.That, too, occasionally drives where I go and what I shoot.Shooting street, I am not aiming for perfect framing in-camera.For music, its capturing the essence of the musician that drives me: their energy, their love, their spirit.While musicians and people involved in events (parades, protests, etc.) are effectively performing and should expect to be photographed, its really the challenge of hitting those moments that capture something unexpected, unusual or interesting that drives.While I never had any aptitude for those types of art whatsoever, I somehow seemed to take to the camera right away.Street photography for me is not really an intellectual pursuit, or at least it is not dependent upon deep thought.All the photography of people I do is unplanned/unposed and for street is done as inconspicuously as possible.But what I also find motivating is capturing the era.I think that all helps me with understanding light, understanding framing and understanding what could potentially be considered interesting.Cartier-Bresson of course; and Jim Marshall for music photography and his absolute online gokken voetbal uitleg comfort around musicians, which somehow made them comfortable enough to allow him into their lives.
I also prefer not to engage while shooting music or events but sometimes, particularly when I know a musician, they will mug for me and that can be fun.
What ultimately motivates me is, not surprisingly, what Cartier-Bresson deemed the decisive moment.
Ultimately, the equipment I use fades into irrelevance, but of course certain basic choices must be made based on the situation one expects to find oneself in I prefer to use a dslr with fast, long lenses for music photography and the tiny Sony RX100.That feels too much like a setup.Often that is where one can find the really compelling and unique shots.Having access to an incredible resource like the Harvey Milk Photo Center, as I have found over the decades, is itself extraordinary and continues to motivate.If I can capture an emotion and make the viewer feel or relate to it, capture a story in an image, or force the viewer to say, What the hell is going on here?Do you find other arts forms play a role in your work?Its a matter of seeing, evaluating and reacting in time.They are not necessarily performing so taking a street photography approach to events will often result in unique images, unlike what other photographers are getting.Again, this relates to the camera hardware not getting in the way.